An Introduction to Nineteenth-Century Art by Michelle Facos PDF

By Michelle Facos

ISBN-10: 0415780705

ISBN-13: 9780415780704

Using the instruments of the "new" artwork heritage (feminism, Marxism, social context, etc.) An creation to Nineteenth-Century Art bargains a richly textured, but transparent and logical, advent to nineteenth-century artwork and tradition. This textbook will supply readers with a easy historic framework of the interval and the serious instruments for analyzing and situating new and surprising works of art.

Michelle Facos is going past current histories of nineteenth-century artwork, which frequently concentration exclusively on France, Britain, and the U.S., to include artists and artistic endeavors from Scandinavia, Germany, and japanese Europe.

The booklet expertly balances its insurance of developments and person works of art: the place the salient developments are transparent, trend-setting works are highlighted, and the complexity of the interval is revered by means of situating all works of their right social and ancient context. during this means, the scholar reader achieves a extra nuanced figuring out of ways during which the tale of nineteenth-century paintings is the tale of the ways that artists and society grappled with the matter of modernity.

Key pedagogical positive aspects include:

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* facts bins supply facts, timelines, charts, and old information regarding the interval to additional situate artworks.

* textual content bins spotlight extracts from unique resources, bringing up the guidelines of artists and their contemporaries, together with historians, philosophers, critics, and theorists, to put artists and works within the broader context of aesthetic, cultural, highbrow, social, and political stipulations during which artists have been working.

* superbly illustrated with over 250 colour images.

* Margin notes and word list definitions.

* on-line assets at www.routledge.com/textbooks/facos with entry to a wealth of data, together with unique records referring to works of art mentioned within the textbook, modern feedback, timelines and maps to complement your figuring out of the interval and make allowance for extra comparability and exploration.

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Chapters take a thematic technique mixed inside of an overarching chronology and extra particular discussions of person works are continually installed the context of the wider social photo, therefore offering scholars with a feeling of artwork heritage as a arguable and alive area of study.

Michelle Facos teaches artwork historical past at Indiana college, Bloomington. Her study explores the altering dating among artists and society because the Enlightenment and problems with identification. previous courses comprise Nationalism and the Nordic mind's eye: Swedish portray of the 1890s (1998), Art, tradition and nationwide id in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist paintings in Context (2009).

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Additional resources for An Introduction to Nineteenth-Century Art

Example text

In 1787, the German author Johann Wolfgang von Goethe visited his artist friend Wilhelm Tischbein (1751–1829) in Naples. We know about Goethe’s visit because he kept a journal he later published, Italian Journey (1816), and also because both men were avid correspondents—their letters to friends and colleagues survive in archives and libraries. 12), Tischbein depicted Goethe along the Appian Way—a tourist destination on the outskirts of Rome—surrounded by catacombs, funerary monuments, and views of the countryside.

5 Jean-Baptiste Greuze, The Drunken Cobbler, 1782. Oil on canvas, 75 × 92 cm (29½ × 36¼ in). Portland Art Museum, Portland, OR. pictorial language that effectively communicated on a variety of levels as well. His airy, tremulous brushwork allied him with Rococo artists like François Boucher, and his composition resembled the staging of a theatrical performance. Greuze, like most RI KLVDUWLVWFROOHDJXHVIUHTXHQWO\DWWHQGHGSOD\VEXWKHZDVRQHRI WKHÀUVWWRGUDZ LQVSLUDWLRQIURPWKHLUVWDJLQJPLQLPDOSURSVIHZÀJXUHVLQDVKDOORZVSDFHSDUDOOHO WRWKHSLFWXUHSODQHDQGWKHSURWDJRQLVWV·IDFHVLQSURÀOH “Nature makes no mistakes.

Portraiture came next because it concerned living (usually prominent) people, followed by genre painting (everyday scenes of anonymous people), landscape painting (requiring little LPDJLQDWLRQ EXW VKDUS SHUFHSWLRQ VLQFH QDWXUH ZDV QRW VWDWLF  DQG ÀQDOO\ VWLOO OLIH painting (dead, arranged nature). In promoting Greuze’s “moral painting” Diderot DUJXHGWKDWLWVVXSHUÀFLDOUHVHPEODQFHWRJHQUHLQDGHTXDWHO\FRQYH\HGWKHVHULRXVQHVV of its message, which allied it more closely with history painting.

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An Introduction to Nineteenth-Century Art by Michelle Facos


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