Download e-book for iPad: Aestheticism and the Canadian Modernists: Aspects of a by Brian Trehearne

By Brian Trehearne

ISBN-10: 0773507108

ISBN-13: 9780773507104

Trehearne observes that during so much situations the classy effect used to be sustained in the course of the whole profession of the poets whose paintings he examines. even though later plagued by the Modernists, their works endured to be formed and special by means of an early Aesthetic education. in relation to A.J.M. Smith, for instance, his preliminary thematic and stylistic Aetheticism impacts his mature severe pronouncements. John Glassco, who was once stimulated through the classy and Modernist principles all through his occupation, created a special kind of Aesthetic glossy poetry. Trehearne's new readings of significant and minor Canadian poets make Aestheticism and the Canadian Modernists a crucial textual content within the overview of Canadian literary historical past from a latest element of view.

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A ball of gold and a gilded ball give the same 'impression' to the painter. Poetry is in some odd way concerned with the specific gravity of things, with their nature ... The conception of poetry is a process more intense than the reception of an impression. 24 Nascent Imagism, then, attacked Impressionism in order to make room for itself in the literary world, to define its difference from that which had gone before and establish its right to separate consideration. S. D. Imagiste" in Poetry (Chicago) and "A Few Don'ts by an Imagist" by Pound, the concentration of this attack began to waver.

E. " Only in this manner will he overcome the extreme aesthetic self-consciousness that taints each pure vision even in the act of recording. He understands that he has not yet reached his goal, which is why a faint desperation rings in his repetition of "someday," a promise always fading into the distance, ungraspable. " To be sure, the Aesthetic "moment" need not always lead to such meditations: hence Knister's apparent Imagism. He was occasionally willing to record the "moment" without overtly subjective comment.

WC, 22) This mixture of spiritual ecstasy and the pain of martyrdom is vaguely Decadent. In "Martyrdom" the mixture is extreme; in other poems the mood can be quietly grim, as in "Cedars," with its trees "In inebriate frenzy" and its poets who "reel through action and glory" (WC, 37), or poignant and bittersweet, as in the autumnal "October Stars": Was it the frenzied whisper Of covert wind to obdurate apple-boughs (Leaves sheltering no more fruit) Or the paled sky drawing in, Or the peal of a shooting star Across the night?

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Aestheticism and the Canadian Modernists: Aspects of a Poetic Influence by Brian Trehearne

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