By Daniel J. Wiener, Linda K. Oxford
Motion treatment With households and teams introduces clinicians to cutting edge healing suggestions that may be used with households and teams: motion equipment or treatment ways regarding actual flow and expressive arts strategies. those tools offer consumers and therapists new methods of either difficulties and studying ideas to those difficulties and are hence in particular applicable to abilities education, position improvement and growth, courting enhancement, and temporary therapy with teams, undefined, and families.
Contributors offer a quick assessment of featured motion equipment and illustrate the applying in their specific solution to particular treatment situations, discussing the reason at the back of their scientific offerings and the way they dealt with any particular demanding situations or issues. Chapters illustrate family members remedy that makes a speciality of facing grief and loss, kinfolk reorganization, and the results of trauma in addition to team remedy methods to the therapy of addictive and compulsive issues, self-mutilation, substance abuse, autism, power psychological sickness, and profession difficulties.
This ebook will attract scholars, educators, and psychological health and wellbeing pros searching for clean ways to operating with their consumers and how you can extend their healing thoughts.
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Extra info for Action Therapy With Families and Groups: Using Creative Arts Improvisation in Clinical Practice
As explained by Byng-Hall (1995), “Scripts prescribe the action to be taken now and in the future, whereas the stories give an account of the action that was taken in the past” (p. 25). That is, stories support and perpetuate the family’s beliefs about the problem and its solution, while scripts define what the family is to do in response to their beliefs about a particular problem. Conflicts arise when family scripts are dysfunctional, prescribing a course of action and sequence of interactions that fail to resolve the problem.
The character and intentions of Sadness began to emerge through the family’s descriptions of this entity as large, dark, heavy, and threatening. Each family member’s description of Sadness suggests that this entity was somehow antagonistic toward the family. The relationship of Sadness with each member of the family was explored in a scene in which Nicholas was asked to take the role of Sadness (reversing roles with Sadness) and show in action how Sadness was affecting the family. The family agreed to cooperate in the production, and Nicholas was invited to use available props such as pieces of cloth, pillows, toys, and so forth in the scene.
Brandy stated she wanted to be the leader and began to run away from the others, asking them to chase her. Brian continued his protest to his father. Mrs. Grey looked up and said this was the kind of confusion she experienced each day. Both she and Mr. Grey asked to stop. The game was finished in less than 5 minutes. The Greys were next asked to sit around a large piece of paper and were given a box full of crayons. They were asked to each draw a house and then take turns drawing themselves coming out of their houses to meet each other.
Action Therapy With Families and Groups: Using Creative Arts Improvisation in Clinical Practice by Daniel J. Wiener, Linda K. Oxford